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	<title>Comments on: Free HOOK Edit: The filming began last week&#8212;</title>
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		<title>By: gotheca</title>
		<link>http://victoriamixon.com/2009/08/17/the-filming-began-last-week/comment-page-1/#comment-479</link>
		<dc:creator>gotheca</dc:creator>
		<pubDate>Mon, 17 Aug 2009 22:20:38 +0000</pubDate>
		<guid isPermaLink="false">http://victoriamixon.com/?p=2145#comment-479</guid>
		<description>Amy, you&#039;re very welcome.

You can use those first few lines of edited exposition if you feel it&#039;s important to the story to introduce it just a little. But readers are most deeply affected by scenes.

You don&#039;t have to make the entire scene less than 150 words. Just the beginning part, the part that grabs the reader&#039;s attention, makes they curious about this character, and then drop-kicks them with a little nugget of juicy news. You can keep going with the scene after that if you want. The example of hook-development-climax on a micro level that I used on Nathan&#039;s blog---the lines from Jack Kerouac---were not the entire scene. But they grabbed us, made us wonder, gave us some information, and then snapped our heads around a little just to make sure we were paying attention. Keep that up for 250 pages, and you&#039;ve got a cliff-hanger.

Yes, the things I suggested you &#039;show&#039; in your new scene are all &#039;told&#039; in the original exposition. Do you see how this is simply Show Don&#039;t Tell? You can TELL us your protagonist is forty-five and beginning to show his wrinkles on camera, but it&#039;s more real to us if you SHOW us the characters dealing with this fact.

Victoria</description>
		<content:encoded><![CDATA[<p>Amy, you&#8217;re very welcome.</p>
<p>You can use those first few lines of edited exposition if you feel it&#8217;s important to the story to introduce it just a little. But readers are most deeply affected by scenes.</p>
<p>You don&#8217;t have to make the entire scene less than 150 words. Just the beginning part, the part that grabs the reader&#8217;s attention, makes they curious about this character, and then drop-kicks them with a little nugget of juicy news. You can keep going with the scene after that if you want. The example of hook-development-climax on a micro level that I used on Nathan&#8217;s blog&#8212;the lines from Jack Kerouac&#8212;were not the entire scene. But they grabbed us, made us wonder, gave us some information, and then snapped our heads around a little just to make sure we were paying attention. Keep that up for 250 pages, and you&#8217;ve got a cliff-hanger.</p>
<p>Yes, the things I suggested you &#8217;show&#8217; in your new scene are all &#8216;told&#8217; in the original exposition. Do you see how this is simply Show Don&#8217;t Tell? You can TELL us your protagonist is forty-five and beginning to show his wrinkles on camera, but it&#8217;s more real to us if you SHOW us the characters dealing with this fact.</p>
<p>Victoria</p>
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		<title>By: Amy</title>
		<link>http://victoriamixon.com/2009/08/17/the-filming-began-last-week/comment-page-1/#comment-478</link>
		<dc:creator>Amy</dc:creator>
		<pubDate>Mon, 17 Aug 2009 22:08:05 +0000</pubDate>
		<guid isPermaLink="false">http://victoriamixon.com/?p=2145#comment-478</guid>
		<description>This is what is so hard for me to understand, because the answers to the questions that are brought up about him do get answered in the following paragraphs.  So I see I need to find an active moment, introduce him there, and then get to the backstory.

I&#039;m just not sure how to convey enough details about him in the hook that will make him interesting to continue with, and not have too long of a hook.  This is great though, gives me a focus!

Thanks so much!</description>
		<content:encoded><![CDATA[<p>This is what is so hard for me to understand, because the answers to the questions that are brought up about him do get answered in the following paragraphs.  So I see I need to find an active moment, introduce him there, and then get to the backstory.</p>
<p>I&#8217;m just not sure how to convey enough details about him in the hook that will make him interesting to continue with, and not have too long of a hook.  This is great though, gives me a focus!</p>
<p>Thanks so much!</p>
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		<title>By: Maureen</title>
		<link>http://victoriamixon.com/2009/08/17/the-filming-began-last-week/comment-page-1/#comment-477</link>
		<dc:creator>Maureen</dc:creator>
		<pubDate>Mon, 17 Aug 2009 19:27:39 +0000</pubDate>
		<guid isPermaLink="false">http://victoriamixon.com/?p=2145#comment-477</guid>
		<description>I would love to see this character interacting in a scene.  I can already tell the writer has a great voice.  Well done!!</description>
		<content:encoded><![CDATA[<p>I would love to see this character interacting in a scene.  I can already tell the writer has a great voice.  Well done!!</p>
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		<title>By: gotheca</title>
		<link>http://victoriamixon.com/2009/08/17/the-filming-began-last-week/comment-page-1/#comment-475</link>
		<dc:creator>gotheca</dc:creator>
		<pubDate>Mon, 17 Aug 2009 18:06:18 +0000</pubDate>
		<guid isPermaLink="false">http://victoriamixon.com/?p=2145#comment-475</guid>
		<description>You&#039;re welcome, Amy!

Any word that&#039;s repeated a lot begins to draw attention to itself, but where you have to pay the most attention is at the beginning of sentences. You can only start a couple of sentences in a row with the same word before it starts to grate on the reader&#039;s nerves.

I would love to see this piece re-done as a scene in which we get to &lt;em&gt;see&lt;/em&gt; the character being all the things you describe him as. Give us snippets of dialog between make-up artist and director about his aging, let him deal with someone either baiting him or reassuring him about how his career is going. Throw us into the moment! We&#039;ll learn a lot about him from hearing him speak to people and seeing his body language as he copes with this change in his life.

Victoria</description>
		<content:encoded><![CDATA[<p>You&#8217;re welcome, Amy!</p>
<p>Any word that&#8217;s repeated a lot begins to draw attention to itself, but where you have to pay the most attention is at the beginning of sentences. You can only start a couple of sentences in a row with the same word before it starts to grate on the reader&#8217;s nerves.</p>
<p>I would love to see this piece re-done as a scene in which we get to <em>see</em> the character being all the things you describe him as. Give us snippets of dialog between make-up artist and director about his aging, let him deal with someone either baiting him or reassuring him about how his career is going. Throw us into the moment! We&#8217;ll learn a lot about him from hearing him speak to people and seeing his body language as he copes with this change in his life.</p>
<p>Victoria</p>
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		<title>By: Amy</title>
		<link>http://victoriamixon.com/2009/08/17/the-filming-began-last-week/comment-page-1/#comment-476</link>
		<dc:creator>Amy</dc:creator>
		<pubDate>Mon, 17 Aug 2009 16:54:55 +0000</pubDate>
		<guid isPermaLink="false">http://victoriamixon.com/?p=2145#comment-476</guid>
		<description>You know, after I sent this, I realized it sounds more like the inside of the dust jacket rather than a hook.  Sheesh.  So I have lots of work to do.  Is there a problem that I used &quot;he&quot; so much?  I wondered that too.  Thanks Victoria....your questions are a huge help!  Amy</description>
		<content:encoded><![CDATA[<p>You know, after I sent this, I realized it sounds more like the inside of the dust jacket rather than a hook.  Sheesh.  So I have lots of work to do.  Is there a problem that I used &#8220;he&#8221; so much?  I wondered that too.  Thanks Victoria&#8230;.your questions are a huge help!  Amy</p>
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