A. Victoria Mixon, Editor
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  • All right, folks, we go out with a bang this week with three really beautifully-done entries from Amy Carey, Laura Eno, and Sean O’Mordha. These authors left me with quite little do do, edit-wise. Please give them a round of applause!

    And please remember to make your complimentary comments. Give what you hope to get.

    I want to thank everyone who participated this month. It was a lot of fun working on your hooks, and I sincerely appreciate the courage it took to put your stuff out there to be edited in public. Writers are such sensitive creatures and, in a perfect world, would be accorded the kind of respect and care it takes to facilitate digging into the deeps like this. Failing that, I hope the encouragement and compliments you get here help inspire you to keep digging.

    The world is your oyster, folks. Dive for the pearl.

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Preditors & Editors

Clients’ Successes

Scott Warrender
Short story author Scott Warrender is a Mentoring Program client. I have done full Copy, Line, & Developmental Editing on a number of short stories for him, the first of which was his poignant fictional memoir of Africa, ''The Boy With the Newsprint Kite,'' now published in the Foundling Review.

Clients’ Books


Bhaichand Patel is the author of two nonfiction books: Chasing the Good Life (Penguin Books India, October, 2006), and Happy Hours (Penguin Books India, October, 2009). I edited Patel's debut novel, When the Streets Were Cold and Dark.


I've edited a number of nonfiction essays for my friend Lucia Orth. (Many years ago, my contribution to Baby Jesus Pawn Shop was simply a peer critique and participation in a standing ovation.)


The poet Chris Ryan is the author of The Bible of Animal Feet (Farfalla Press, 2007). He has recent stories in Pank, Anemone Sidecar, and A Cappella Zoo. I edited Ryan's novel The Ishmael Blade and worked with him on his debut novel Heliophobia and WIP Pogue.