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  • AND. . .the next Free Edit goes to Jordan McCollum, with a free Developmental Edit of her entire chapter. Thank you good-natured folks for the other entries today, and I’ll get those edited and posted tomorrow!

    Setup

    Molly’s last priest (Father Patrick) was murdered, and in the intervening months she has fallen in love with his replacement, Father Tim. Here, she sits unnoticed in a side chapel as Father Tim talks to the other priest in the parish, Father Fitzgerald.

    Climax

    Father Tim sighed and looked down. “I’m no priest.”

    In an instant, Molly’s heart soared, and her stomach lurched. Was he leaving the priesthood—to be with her?

    “Oh, my son.” Father Fitzgerald lowered his voice to an imploring whisper, a plea in his eyes. “What is it? Please tell me it’s not Molly.”

    “I could never—do you have any idea what that would do to her?”

    “Then what have you done?”

    “Nothing. I’ve just never received Holy Orders.”

    A hollow replaced Molly’s joy and terror; Father Fitzgerald’s pity flashed to anger. “You’re not a real priest?”

    “I just told you—”

    Father Fitzgerald sputtered for a split second, then ripped the white plastic insert from Tim’s clerical collar. “You’ll be excommunicated!”

    “Probably would be, if I were Catholic.”

    “You’re not even Catholic? What the—”

    “Federal agent.” Father—no, Special Agent Tim pulled a notecase from his jacket and flashed a badge.

    Molly forced herself to inhale. This couldn’t be happening. As if thinking the same thing, Father Fitzgerald gaped at Tim.

    And Tim pressed on with the questioning. “When exactly did Ian tell you he was abused by Father Patrick?”

    “I told you, I don’t remember exactly.”

    “Was it September thirteenth?”

    The day Father Patrick died? Father Fitzgerald had known for weeks?

    “Yes.” Father Fitzgerald’s voice was only a pained breath.

    Tim studied the older man’s face before continuing. “Is that why you killed him?”

    What? The cottony void overtaking Molly’s chest expanded as she drew a noiseless gasp.

    Developmental Edit

    Can we tell what the premise of this novel is? A priest kills a fellow priest for molesting children. Ba-da-bing, ba-da-bang, ba-da-BOOM.

    What else? The federal agent who goes undercover to investigate the mysterious death of the priest not only uncovers the murderer, he uncovers the reason for the murder—throwing him into a moral quandry the reader feels just as deeply as the characters (investment!)—while simultaneously developing a serious relationship with the protagonist. Lap and over-lap, layers upon layers!

    Excellent stuff!

    The dialog is straight and to-the-point. Each character has a perspective to which they remain true, they speak at cross purposes, and Molly, listening in, goes through all heck of emotional reactions to what they reveal. I’ve trimmed it some to keep it as pointed and fast-moving as possible. I’ve also trimmed a little of the character actions. The fewer there are the greater the impact, and the less you rely on engaging the reader’s sympathy, paradoxically, the more you accomplish.

    Also, I switched Molly’s inhale to an exhale because her next action of note is to gasp. This gives her just a tiny bit more rhythm.

    Altogether, a clean, strong scene that moves rapidly from initial misunderstanding, through apprehension—yank!—to instantaneous, totally believable outrage, and without stopping for breath right into full-on HOLY COW!

    Copy & Line Edit

    Father Tim sighed and looked down. “I’m no priest.”

    Molly’s stomach lurched. Was he leaving the priesthood—to be with her?

    “Oh, my son.” Father Fitzgerald lowered his voice. “What is it? Please tell me it’s not Molly.”

    “I could never—do you have any idea what that would do to her?”

    “Then what have you done?”

    “I never received Holy Orders.”

    A cottony hollow filled Molly’s chest; Father Fitzgerald’s voice flashed to anger. “You’re not a real priest?”

    “I just—”

    Father Fitzgerald ripped the white insert from Tim’s clerical collar. “You’ll be excommunicated!”

    “Probably would, if I were Catholic.”

    “You’re not—?”

    “Federal agent.” Tim pulled a notecase from his jacket and flashed a badge.

    Molly forced herself to exhale. This couldn’t be happening.

    “When exactly did Ian tell you he was abused by Father Patrick?” Tim continued to study the older man’s face.

    “I told you, I don’t remember exactly.”

    “September thirteenth?”

    The day Father Patrick died?

    “Yes.” Father Fitzgerald’s voice was only a pained breath.

    “Is that why you killed him?”

    Molly drew a noiseless gasp.

    6 Comments

6 Responses to “Free CLIMAX Edit: Jordan

  1. Woohoo! Thank you so much, Victoria

    If we’d had 20 or 30 more words, I would have gotten one more twist in there—the late priest was falsely accused.

    I was wondering if you’d cut back the stage direction and internal thoughts (several of those are to keep Molly in the scene and avoid talking heads, of course, and the edits accomplish both those :D ).

    Interestingly, I had a couple readers tell me they felt Fitzgerald capitulates too quickly for the climax to feel fulfilling. Expanding it would draw out the back-and-forth between Father Tim and Father Fitzgerald before Fitzgerald’s confession. Oddly enough, before I received that feedback I was trying really hard to make the scene go as fast as possible.

    What do you think?

  2. Father Tim is a federal agent???
    Now the whole thing’s spoiled! :(

    Great reveal. I wonder though, since this is Molly’s POV, what her big “moment” is…I wonder if she gets involved in this scene…

    Kewl scene!

  3. A climax moves as fast as possible. You have the build-up for rhythm—Father Tim confesses he’s, uh, not actually a Father—and then the one-two punch: Father Fitzgerald knew about the molest accusation the same day Father Patrick died? What the. . .Father Fitzgerald KILLED HIM?? Your reader’s on the ropes.

    In this climax, the way it is now, Father Fitzgerald doesn’t actually capitulate at all. I love that he rips Tim’s collar off. “Take THAT, you low-down dirty dog of a priest-impersonator!” Father Fitzgerald is no doormat, that’s for sure.

    Twenty-to-thirty more words is not a real problem for a climax. I kept it to one page to force writers to focus. But, of course, since you won the developmental edit of your entire chapter, we can work on that whole scene to make it as sharp, scintillating, and powerful as humanly possible.

    The thing about a single protagonist—which most books have—is that it gets boring if every single scene is all about them. So you have to find ways to shake it up without breaking POV. Which this scene does very well.

  4. Thanks, Andrew! (One of the reasons I’m not tooooooo worried about spoilers here is that Father Tim is actually also a POV character, so we know from scene 2 that he’s not who Molly thinks he is.)

    I do have to admit, though I’m very excited to get the whole chapter edited, that I didn’t enter just to win. Don’t have quite that much confidence, LOL. Mostly I did it because seeing Andrew do it made it okay somehow.

    The exact feedback wasn’t quite that helpful—it just said it “happened too quickly to be fulfilling.” Who knows, maybe they meant there wasn’t enough time to build suspense in the set up to this chapter?

    I appreciate the reassurance, and I look forward to your help with the rest of the chapter!

  5. WOW this reads like the climax of a Poirot novel, when the evil murderer is finally unmasked. I can’t wait to read the whole thing.

  6. Thanks, Jefro!




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