A. Victoria Mixon, Editor
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  • In keeping with Tice Week, I have a guest post up on Carol’s blog, Make a Living Writing.

    Now, I know you guys are used to thinking of me as a fiction editor, probably because I keep writing all those posts about fiction. But that’s only after I went through the phone booth to climb into my cape. In the old days, I learned a great deal of my Copy and Line Editing skills out in the nonfiction trenches—twenty years in tech writing.

    And the truth is I’m still out there, only now I only take contract work that doesn’t interfere with my independent editing. I love independent editing. But I do still have the industry contacts to make some bucks on the side.

    So how do you get into tech writing? Pull down a cushy salary just for hanging around the office all day hobnobbing with other writers and putting words on the page? Don’t you ever wonder?

    Join us for 5 Qualities of a Successful Tech Writer.

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Preditors & Editors

Clients’ Successes

Scott Warrender
Short story author Scott Warrender is a Mentoring Program client. I have done full Copy, Line, & Developmental Editing on a number of short stories for him, the first of which was his poignant fictional memoir of Africa, ''The Boy With the Newsprint Kite,'' now published in the Foundling Review.

Clients’ Books


Bhaichand Patel is the author of two nonfiction books: Chasing the Good Life (Penguin Books India, October, 2006), and Happy Hours (Penguin Books India, October, 2009). I edited Patel's debut novel, When the Streets Were Cold and Dark.


I've edited a number of nonfiction essays for my friend Lucia Orth. (Many years ago, my contribution to Baby Jesus Pawn Shop was simply a peer critique and participation in a standing ovation.)


The poet Chris Ryan is the author of The Bible of Animal Feet (Farfalla Press, 2007). He has recent stories in Pank, Anemone Sidecar, and A Cappella Zoo. I edited Ryan's novel The Ishmael Blade and worked with him on his debut novel Heliophobia and WIP Pogue.