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MILLLICENT G. DILLON, represented by Harold Ober Associates, is the world’s expert on authors Jane and Paul Bowles. She has won five O. Henry Awards and been nominated for the PEN/Faulkner. I worked with Dillon on her memoir, The Absolute Elsewhere, in which she describes in luminous prose her private meeting with Albert Einstein to discuss the ethics of the atomic bomb. Read more. . .


SASHA TROYAN is a Professor of English at Montclair University and author of the critically-acclaimed novels Angels in the Morning and The Forgotten Island, both Booksense Selections, beautiful stories based upon her childhood in France. I worked with Troyan to develop her new novels, Marriage A Trois and Semester. Read more. . .


LUCIA ORTH is the author of the debut novel, Baby Jesus Pawn Shop, which received critical acclaim from Publisher’s Weekly, NPR, Booklist, Library Journal and Small Press Reviews. I have edited a number of essays and articles for Orth. Read more. . .


BHAICHAND PATEL, retired after an illustrious career with the United Nations, is now a journalist based out of New Dehli and Bombay, an expert on Bollywood, and author of three non-fiction books published by Penguin. I edited Patel’s best-selling debut novel, Mothers, Lovers, and Other Strangers, published by Pan Macmillan. Read more. . .


SCOTT WILBANKS, represented by Barbara Poelle of the Irene Goodman Literary Agency, is the author of the debut novel, The Lemoncholy Life of Annie Aster, published by Sourcebooks in August, 2015. I’m working with Wilbanks on his sophomore novel, Easy Pickens, the story of the world’s only medically-diagnosed case of chronic naiveté. Read more. . .


SCOTT WARRENDER is a professional musician and Annie Award-nominated lyricist specializing in musical theater. I work with Warrender regularly on his short stories and debut novel, Putaway. Read more. . .


M. TERRY GREEN enjoys a successful self-publishing career with multiple sci-fi/fantasy series set in the Multiverse, based upon her expertise in anthropology and technology. I worked with Green to develop a new speculative fiction series. Read more. . .


DARREN D. BEYER is an ex-NASA experiment engineer who has worked on every Space Shuttle orbiter but Challenger. In his sci-fi Anghazi Series, Beyer uses his scientific expertise to create a galaxy in which “space bridges” allow interstellar travel based upon the latest in real theoretical physics. Read more. . .


ANIA VESENNY, represented by Beverly Slopen Literary Agency, is a recipient of the Evelyn Sullivan Gilbertson Award for Emerging Artist in Literature and has been nominated for the Pushcart Prize. I edited Vesenny’s debut novel, Swearing in Russian at the Northern Lights, and her second novel, Sandara. Read more. . .


STUART WAKEFIELD is the #1 Kindle Best Selling author of Body of Water, the first novel in his Orcadian Trilogy. Body of Water was 1 of 10 books long-listed for the Polari First Book Prize. I edited Wakefield’s second novel, Memory of Water, and look forward to editing the final novel of his Orcadian Trilogy, Spirit of Water. Read more. . .


GERALDINE EVANS is a best-selling British author. Her historical novel, Reluctant Queen, is a Category No 1 Best Seller on Amazon UK. I edited Death Dues, #11 in Evans’ fifteen popular Rafferty and Llewellyn cozy police procedurals, which received a glowing review from the Midwest Book Review. Read more. . .


JUDY LEE DUNN is an award-winning marketing blogger. I am working with Dunn to develop and line edit her memoir of reconciling liberal activism with her emotional difficulty accepting the lesbianism of her beloved daughter, Tonight Show comedienne Kellye Rowland. Read more. . .


LISA MERCADO-FERNANDEZ writes literary novels of love, loss, and friendship set in the small coastal towns of New England. I edited Mercado-Fernandez’ debut novel The Shoebox and second novel The Eighth Summer. Read more. . .


JEFF RUSSELL is the author of the debut novel, The Rules of Love and Law, based upon Jeff’s abiding passions for legal history and justice. Read more. . .


LEN JOY is the author of the debut novel, American Past Time. I worked with Len to develop his novel from its core: a short story about the self-destructive ambitions of a Minor League baseball star. Read more. . .


ALEX KENDZIORSKI is an American physician working in South Africa on community health education and wildlife conservation. I edited Kendziorski’s debut novel Wait a Season for Their Names about the endangered African painted wolf, for which he is donating the profits to wildlife conservation. Read more. . .


ALEXANDRA GODFREY blogs for the New England Journal of Medicine. I work with Godfrey on her short fiction and narrative nonfiction, including a profile of the doctor who helped save her son’s life, “Mending Broken Hearts.” Read more. . .


In addition, I work with scores of aspiring writers in their apprenticeship to this wonderful literary art and craft.

  • By Victoria Mixon

    This is writers conference month here, and actually I’m in San Diego right now taking my son to the San Diego Wild Animal Park and laughing at the bad jokes of my father-in-law and just generally hanging out while my husband gives a presentation at a computer conference. A few weeks ago I taught you guys how to get people all riled up at you at a writers conference and what to watch out for in the way of presenters—the bullshitters and the non-bullshitters, part one and part two.

    So now I’ll tell you another writers conference story.

    This one is a story of hope:

    Once many years ago I had just returned to the San Francisco Bay Area from a thrilling, hair-raising, and actually quite productive six months of adventure and writing in Hawaii and Australia. I’d gotten a job as a tech writer at a small computer start-up in Silicon Valley, so I was recovering a bit from the state of abject poverty into which my adventures had plunged me. And a friend and I were sitting in an Italian restaurant in San Francisco’s Northbeach neighborhood when he pulled out a flyer to show me.

    It was an ad for the Writers Community at Squaw Valley.

    “Are you going to apply?” I said.

    “Maybe,” he said. “Are you?”

    “Maybe.”

    I went to my manager at work, who happened to be extremely smart and extremely cool and extremely cute, and asked him what he thought. He had a degree in Creative Writing from the University of California in Santa Cruz. Plus he was extremely cute.

    “Well, you know what I think about writers conferences,” he said.

    Actually I didn’t, but I was afraid he’d already told me and I’d been spazzed out on his cuteness and not listening, so I didn’t ask.

    Instead, I went to the conference.

    It was the first writers conference I’d ever been to, and besides that I didn’t know who Oakley Hall was (the guy running the conference), so when I got to the registration desk and the woman announced grandly that she was Mrs. Oakley Hall, I replied without a spark of recognition, “Hi. I’m Victoria Mixon.”

    I had signed up to share a house with other attendees, and I wound up with five other women, among whom were two in my writing workshop. We had a great week—we went to lectures by agents and famous authors like Amy Tan, attended our workshop, read each other’s manuscripts, and drank a lot of wine. There was a big party to which we went as a gang and where we accidentally knocked a painting off the wall on the staircase and almost got kicked out by the owner of the house.

    One of my roommates and I went up to an agent after an agents panel and introduced ourselves. My friend already had an agent so their conversation was kind of general, but I didn’t have an agent and I wanted one, so I was quite happy when the agent invited me to lunch the next day. (We had lunch, and after we got home I took her my manuscript, and she became my first agent.)

    I had also signed up for my manuscript to be critiqued by Anne Lamott, who was right then becoming famous for Operating Instructions and had just published Bird by Bird. In my excitement and confusion, I had sent her the second chapter of my novel instead of the first, so she was understandably confused about the storyline, but she seemed to like it.

    “It has a strange sort of power,” she said. “And you write like a dream.”

    Then she waited politely for me to ask her to sign the copy of Bird by Bird that I had in my lap.

    But I was too shy.

    During that week I became particularly close to the two of my roommates who were in my workshop, whose manuscripts I found extremely beautiful and compelling. They were unpublished, like me—one a professor of Native American law in Kansas and the other a struggling English teacher at a community college in New York City. We traded addresses when the conference ended, but we fell out of touch anyway.

    A few years later I thought of them and found an address for the one in New York. Her first novel had been published by the Permanent Press—she’d rewritten it from a different point-of-view and given it a different title—and become a Book Sense Selection. Her second novel was being published by Bloomsbury Publishing, and it too went on to become a Book Sense Selection, translated into several languages.

    We were both married and had very young sons by then, so we bonded again.

    At some point I also wrote to the professor of Native American law, saying I hoped she was still writing, since if anyone was a writer she was. And she wrote back a beautiful letter saying she had, in fact, just been on the verge of giving up when she received my letter. She was so moved that she read the letter out loud to her family over the dinner table. She was still working on her novel.

    That novel was published in 2008 and nominated for the biggest national prizes in the US (which she is too modest to mention), acclaimed by NPR and Kirkus Reviews.

    And now, I’m pretty sure you guys know by this time who these writers are. I’ve written about them in my books, and I use quotes from them on my blog to make me look good.

    • Unpublished, struggling, dedicated craftspeople when I met them

    • Acclaimed fiction authors today

    I want you to know it happens—talent and hard work and dedication to craft do get recognized.

    Lucia Orth

    Sasha Troyan

    (Also, I married the cute manager.)

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    “The freshest and most relevant
    advice you’ll find.”

    —Helen Gallagher, Seattle Post-Intelligencer

    The Art & Craft of Writing Fiction

    The Art & Craft of Writing Stories


    A. VICTORIA MIXON, FREELANCE INDEPENDENT EDITOR

    VICTORIA’S ADVICE COLUMN

    2 Comments

2 Responses to “3 Writers, 1 Conference: a Story of Hope”

  1. […] is the story about what happened after that Writers Conference at which I became friends with the brilliant novelists Lucia Orth and Sasha […]

  2. […] So, last month was all about writers conferences, and if you were busy all month actually attending those conferences you can catch up with us here, and here, and here, and especially here (a story of hope!). […]



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