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MILLLICENT G. DILLON, represented by Harold Ober Associates, is the world’s expert on authors Jane and Paul Bowles. She has won five O. Henry Awards and been nominated for the PEN/Faulkner. I worked with Dillon on her memoir, The Absolute Elsewhere, in which she describes in luminous prose her private meeting with Albert Einstein to discuss the ethics of the atomic bomb. Read more. . .


SASHA TROYAN is a Professor of English at Montclair University and author of the critically-acclaimed novels Angels in the Morning and The Forgotten Island, both Booksense Selections, beautiful stories based upon her childhood in France. I worked with Troyan to develop her new novels, Marriage A Trois and Semester. Read more. . .


LUCIA ORTH is the author of the debut novel, Baby Jesus Pawn Shop, which received critical acclaim from Publisher’s Weekly, NPR, Booklist, Library Journal and Small Press Reviews. I have edited a number of essays and articles for Orth. Read more. . .


BHAICHAND PATEL, retired after an illustrious career with the United Nations, is now a journalist based out of New Dehli and Bombay, an expert on Bollywood, and author of three non-fiction books published by Penguin. I edited Patel’s best-selling debut novel, Mothers, Lovers, and Other Strangers, published by Pan Macmillan. Read more. . .


SCOTT WILBANKS, represented by Barbara Poelle of the Irene Goodman Literary Agency, is the author of the debut novel, The Lemoncholy Life of Annie Aster, published by Sourcebooks in August, 2015. I’m working with Wilbanks on his sophomore novel, Easy Pickens, the story of the world’s only medically-diagnosed case of chronic naiveté. Read more. . .


SCOTT WARRENDER is a professional musician and Annie Award-nominated lyricist specializing in musical theater. I work with Warrender regularly on his short stories and debut novel, Putaway. Read more. . .


M. TERRY GREEN enjoys a successful self-publishing career with multiple sci-fi/fantasy series set in the Multiverse, based upon her expertise in anthropology and technology. I worked with Green to develop a new speculative fiction series. Read more. . .


DARREN D. BEYER is an ex-NASA experiment engineer who has worked on every Space Shuttle orbiter but Challenger. In his sci-fi Anghazi Series, Beyer uses his scientific expertise to create a galaxy in which “space bridges” allow interstellar travel based upon the latest in real theoretical physics. Read more. . .


ANIA VESENNY, represented by Beverly Slopen Literary Agency, is a recipient of the Evelyn Sullivan Gilbertson Award for Emerging Artist in Literature and has been nominated for the Pushcart Prize. I edited Vesenny’s debut novel, Swearing in Russian at the Northern Lights, and her second novel, Sandara. Read more. . .


STUART WAKEFIELD is the #1 Kindle Best Selling author of Body of Water, the first novel in his Orcadian Trilogy. Body of Water was 1 of 10 books long-listed for the Polari First Book Prize. I edited Wakefield’s second novel, Memory of Water, and look forward to editing the final novel of his Orcadian Trilogy, Spirit of Water. Read more. . .


GERALDINE EVANS is a best-selling British author. Her historical novel, Reluctant Queen, is a Category No 1 Best Seller on Amazon UK. I edited Death Dues, #11 in Evans’ fifteen popular Rafferty and Llewellyn cozy police procedurals, which received a glowing review from the Midwest Book Review. Read more. . .


JUDY LEE DUNN is an award-winning marketing blogger. I am working with Dunn to develop and line edit her memoir of reconciling liberal activism with her emotional difficulty accepting the lesbianism of her beloved daughter, Tonight Show comedienne Kellye Rowland. Read more. . .


LISA MERCADO-FERNANDEZ writes literary novels of love, loss, and friendship set in the small coastal towns of New England. I edited Mercado-Fernandez’ debut novel The Shoebox and second novel The Eighth Summer. Read more. . .


JEFF RUSSELL is the author of the debut novel, The Rules of Love and Law, based upon Jeff’s abiding passions for legal history and justice. Read more. . .


LEN JOY is the author of the debut novel, American Past Time. I worked with Len to develop his novel from its core: a short story about the self-destructive ambitions of a Minor League baseball star. Read more. . .


ALEX KENDZIORSKI is an American physician working in South Africa on community health education and wildlife conservation. I edited Kendziorski’s debut novel Wait a Season for Their Names about the endangered African painted wolf, for which he is donating the profits to wildlife conservation. Read more. . .


ALEXANDRA GODFREY blogs for the New England Journal of Medicine. I work with Godfrey on her short fiction and narrative nonfiction, including a profile of the doctor who helped save her son’s life, “Mending Broken Hearts.” Read more. . .


In addition, I work with scores of aspiring writers in their apprenticeship to this wonderful literary art and craft.

  • By Victoria Mixon

    Every year I write a series of NaNoWriMo posts like the bizarre and inexplicable 5 Ways to Make Your Novel Unforgettable, 5 Ways to Make Your Novel Helplessly Addictive, and 5 Ways to Make Your Novel Inescapable. Last week we looked at Running into the Jaws of NaNoWriMo. And for those of you who learn better in conversation than through written instructions, this year I’ve even been interviewed on video by Joanna Penn at The Creative Penn blog. Joanna asks me for pointers on how to approach writing the sequel to her Kindle best-seller, Pentecost—pointers I make universal to storytelling in general so they’ll help all of you diving into writing your own new novels right this minute.

    So let’s review quickly how to make that dive a swan dive and not a cannonball:

    1. Know why this story matters

      Somewhere, somehow, at that one moment when they can least afford it, your protagonist is going to come up against themself in a spiritual dark alley. And it’s going to be bad.

      They have always, all their life, sincerely and desperately believed they could not handle this confrontation. Chaos, madness, mayhem, yes. But not this.

      And that heart-stopping confrontation is why you’re writing this story. Handling the impossible matters to readers—it’s possibly the only thing that does.

      That’s your Climax.

    2. Be great fun to run around with

      The bulk of a novel is just for fun, thrill, excitement, unending adventures that leap from one peak to another as though in Seven-League Boots. Your reader’s grappling with one drama! Aaagh! They’re grappling with another! No! They’re back to grappling with the first drama again! Eeee! There’s a new drama they didn’t see coming!

      Back and forth, round and round, in and out of the complexities of your plot they run full-tilt, flapping the pages of your book as they go. They can’t stop!

      That’s your Development.

    3. Understand Backstory

      Don’t get too attached to the first scenes that it occurs to you to write. Those are your warm-up scenes, and chances are almost certain they’re Backstory, not Hook.

      Write them! Have a fabulous time! But be willing to set them aside in their own little outtakes files later, when you’re far enough into this story (possibly at the end) to be able to see what originally happened to force the decision that got your protagonist into this whole impossible mess in the first place.

      That’s too important of a scene to toy with by getting yourself emotionally-dependent upon it right now. Just take lots of notes as you work on your novel so it will be a truly fabulous opening scene when you do eventually write it.

      That will be your Hook.

    And because we all live here in the twenty-first century, I know as well as you do how hard it is to squeeze NaNoWriMo into your already-packed schedule. So remember the 9 Ways to Find Time to Write.

    Take a deep breath, run to the top of the highest pinnacle you can find, and start flapping your wings. Welcome to NaNoWriMo!

    Is all your hair standing on end?

    Subscribe:

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    “The freshest and most relevant
    advice you’ll find.”

    —Helen Gallagher, Seattle Post-Intelligencer

    The Art & Craft of Writing Fiction

    The Art & Craft of Writing Stories


    A. VICTORIA MIXON, FREELANCE INDEPENDENT EDITOR

    VICTORIA’S ADVICE COLUMN

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