Victoria Mixon, Author & Editor Editing     Testimonials     Books     Advice     About     Contact       Copyright

Authors


MILLLICENT G. DILLON, represented by Harold Ober Associates, is the world’s expert on authors Jane and Paul Bowles. She has won five O. Henry Awards and been nominated for the PEN/Faulkner. I worked with Dillon on her memoir, The Absolute Elsewhere, in which she describes in luminous prose her private meeting with Albert Einstein to discuss the ethics of the atomic bomb. Read more. . .


SASHA TROYAN is a Professor of English at Montclair University and author of the critically-acclaimed novels Angels in the Morning and The Forgotten Island, both Booksense Selections, beautiful stories based upon her childhood in France. I worked with Troyan to develop her new novels, Marriage A Trois and Semester. Read more. . .


LUCIA ORTH is the author of the debut novel, Baby Jesus Pawn Shop, which received critical acclaim from Publisher’s Weekly, NPR, Booklist, Library Journal and Small Press Reviews. I have edited a number of essays and articles for Orth. Read more. . .


BHAICHAND PATEL, retired after an illustrious career with the United Nations, is now a journalist based out of New Dehli and Bombay, an expert on Bollywood, and author of three non-fiction books published by Penguin. I edited Patel’s best-selling debut novel, Mothers, Lovers, and Other Strangers, published by Pan Macmillan. Read more. . .


SCOTT WILBANKS, represented by Barbara Poelle of the Irene Goodman Literary Agency, is the author of the debut novel, The Lemoncholy Life of Annie Aster, published by Sourcebooks in August, 2015. I’m working with Wilbanks on his sophomore novel, Easy Pickens, the story of the world’s only medically-diagnosed case of chronic naiveté. Read more. . .


SCOTT WARRENDER is a professional musician and Annie Award-nominated lyricist specializing in musical theater. I work with Warrender regularly on his short stories and debut novel, Putaway. Read more. . .


M. TERRY GREEN enjoys a successful self-publishing career with multiple sci-fi/fantasy series set in the Multiverse, based upon her expertise in anthropology and technology. I worked with Green to develop a new speculative fiction series. Read more. . .


DARREN D. BEYER is an ex-NASA experiment engineer who has worked on every Space Shuttle orbiter but Challenger. In his sci-fi Anghazi Series, Beyer uses his scientific expertise to create a galaxy in which “space bridges” allow interstellar travel based upon the latest in real theoretical physics. Read more. . .


ANIA VESENNY, represented by Beverly Slopen Literary Agency, is a recipient of the Evelyn Sullivan Gilbertson Award for Emerging Artist in Literature and has been nominated for the Pushcart Prize. I edited Vesenny’s debut novel, Swearing in Russian at the Northern Lights, and her second novel, Sandara. Read more. . .


STUART WAKEFIELD is the #1 Kindle Best Selling author of Body of Water, the first novel in his Orcadian Trilogy. Body of Water was 1 of 10 books long-listed for the Polari First Book Prize. I edited Wakefield’s second novel, Memory of Water, and look forward to editing the final novel of his Orcadian Trilogy, Spirit of Water. Read more. . .


GERALDINE EVANS is a best-selling British author. Her historical novel, Reluctant Queen, is a Category No 1 Best Seller on Amazon UK. I edited Death Dues, #11 in Evans’ fifteen popular Rafferty and Llewellyn cozy police procedurals, which received a glowing review from the Midwest Book Review. Read more. . .


JUDY LEE DUNN is an award-winning marketing blogger. I am working with Dunn to develop and line edit her memoir of reconciling liberal activism with her emotional difficulty accepting the lesbianism of her beloved daughter, Tonight Show comedienne Kellye Rowland. Read more. . .


LISA MERCADO-FERNANDEZ writes literary novels of love, loss, and friendship set in the small coastal towns of New England. I edited Mercado-Fernandez’ debut novel The Shoebox and second novel The Eighth Summer. Read more. . .


JEFF RUSSELL is the author of the debut novel, The Rules of Love and Law, based upon Jeff’s abiding passions for legal history and justice. Read more. . .


LEN JOY is the author of the debut novel, American Past Time. I worked with Len to develop his novel from its core: a short story about the self-destructive ambitions of a Minor League baseball star. Read more. . .


ALEX KENDZIORSKI is an American physician working in South Africa on community health education and wildlife conservation. I edited Kendziorski’s debut novel Wait a Season for Their Names about the endangered African painted wolf, for which he is donating the profits to wildlife conservation. Read more. . .


ALEXANDRA GODFREY blogs for the New England Journal of Medicine. I work with Godfrey on her short fiction and narrative nonfiction, including a profile of the doctor who helped save her son’s life, “Mending Broken Hearts.” Read more. . .


In addition, I work with scores of aspiring writers in their apprenticeship to this wonderful literary art and craft.

  • By Victoria Mixon

    We’re going to spend this month talking about tricks of the trade that work in one day. There are a lot of them, and with all of us struggling to juggle work, family, social life, and writing (plus all that time we wind up paying attention to marketers to whom we don’t even want to pay attention). . .we need ’em.

    This is all because last week I ran into to a friend I hadn’t seen in awhile who’s writing a memoir. I asked her how things were going. We talked a bit about a time a couple of years when she’d told me she was having a lot of trouble with it—she couldn’t make herself write a particular incident she needed to write.

    She’d asked me if I had any advice: did she need a class? a group? a coach?

    Now, I do this kind of work with writers all the time, helping them write what they need to write when they need to write it, so, yeah, I had some advice for her.

    And I’ll give it to you too, in case you’re ever up against a similar block.

    Groups and classes can help if all you need is a little peer pressure to get yourself in gear, but they can make it worse if you’re really struggling with an emotional block and find yourself embarrassed to be unable to break through, especially in front of others. So before you invest in anything try these two tricks:

    1. Permission

      Give yourself permission to pause and write about this issue whenever it strikes you, even if it’s only a line or two between work projects that you can go back to and develop later.

    2. Details

      Whenever you do have a chunk of time in which you’d like to write, focus first on recording some concrete, neutral, unrelated details—what you had for lunch, the view from where you’re sitting, some conversation you had recently—to kind of grease the writing wheels so the words will come out of you more easily.

    Frequently it’s the effort to make two transitions at once (the transition into writing mode plus the transition into a safe emotional space) that can cause this kind of writer’s block, and it helps to take them one at a time.

    Remember: you’re writing what you write not to bind yourself ever-more tightly in your painful emotional paralysis, but to free yourself so you can live this one life you get as fully as humanly possible.

    NEXT WEEK: 3 Tricks for Increasing the Tension in Your Story in One Day

    THE WEEK AFTER: 4 Tricks for Improving Your Fiction in One Day

    FINALLY: 1 Secret Trick to Becoming a Genius Writer in 1 Day

    Subscribe:

    No Comments

    “The freshest and most relevant
    advice you’ll find.”

    —Helen Gallagher, Seattle Post-Intelligencer

    The Art & Craft of Writing Fiction

    The Art & Craft of Writing Stories


    A. VICTORIA MIXON, FREELANCE INDEPENDENT EDITOR

    VICTORIA’S ADVICE COLUMN

    No Comments

Comments are closed.



Google