A. Victoria Mixon, Editor
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  • Mentoring Program
    monthly

    Due to popular demand, I’ve created a monthly Mentoring Program, in which I offer a regular number of hours per month for any type or combination of writing help you like:

    *) Developmental Editing

    *) Copy & Line Editing

    *) Copy, Line, & Developmental Editing

    *) Mentoring of Ideas

    *) On-Going Mentoring & Editing of Ideas & Manuscripts

    As long as I have your hours set aside for you for a certain week of the month, you can decide at any time right up until the last minute what you need each month—tailoring not just for your manuscript but for you, the writer.

    Some writers sign up for:

    *) 3 hours at $255/month

    *) 6 hours at $510/month

    *) 14 hours (3 1/2 hours/week) at $1190/month

    *) 24 hours (6 hours/week) at $2040/month

    Some sign up for other variations or for more.

    You can ensure your regular place on my calendar, so I’m available to you whenever your own schedule and inspiration meet.

    This is the best way to be mentored step-by-step through your growth as a writer.

    Starter Developmental Edit
    $350

    I offer a Developmental Edit for manuscripts in the planning or early draft stages. A Developmental Edit at this stage can save the writer weeks, months, sometimes even years. For an extended synopsis or chapter-by-chapter outline of @6250 words (approximately 25 pages double-spaced), I write a single Developmental Letter of approximately 1500-2000 words outlining basic plot structure and character development issues, identifying specific ways in which to design the most powerful storytelling.

    If you decide to proceed to a more in-depth Edit afterward, I apply your paid $350 to that estimate.

    Abbreviated Developmental Edit
    $750

    I now offer an abbreviated version of the Developmental Edit. For a manuscript of up to @80,000 words (for longer works contact me), I write a single Developmental Letter of approximately 3000-4000 words outlining basic plot  structure, character development, and prose issues, identifying specific ways in which to design the most powerful storytelling and techniques for polishing the work into quality fiction.

    If you decide to proceed to a more in-depth Edit afterward, I apply your paid $750 to that estimate.

    Short Stories
    varies

    Many writers use short stories from 5,000 to 20,000 words to break into publishing. These take more time and attention per word than novels, but since they’re excellent ways for aspiring writers to learn the craft I still charge the same Rates.

    The Query & Synopsis Special

    now available only to current and previous editing clients

    Virtually all query letters should fit into one page of 12-point type single-spaced Times New Roman, including a paragraph for your author bio. And, unless an agent specifically asks for either more or less, your synopsis should fit into 3-5 pages of 12-point type double-spaced. However, both these essential tools in the writer’s toolbox also have their own specific formatting requirements.

    I offer a special Edit for query and synopsis: a one-page query and maximum 1250-word synopsis for $255, for which you receive a Copy, Line, & Developmental Edit of both, polished for immediate querying.

    Partial Edit
    varies

    You can request a partial edit of any amount of your manuscript. Maybe you’re pretty certain your story’s done, but you’d like some help making your first and last scenes as classic as possible. Or you’ve devoted all your energy to the beginning and ending, but the middle (as middles so often do) sags. Or you’re happy with your descriptions, but you want help with dialog. Or vice versa. Or something else.

    We can negotiate any form of partial edit that works for you. This can be a Developmental Edit, a Copy & Line Edit, or a full Copy, Line, & Developmental Edit according to my current Rates.

    If you decide to proceed to a more in-depth Edit afterward, I apply your paid amount to that estimate.

    Wondering what other writers have thought of my Editing Specials?

    PLEASE NOTE: Online payments may incur an additional surcharge.

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    2 Comments

2 Responses to “Editing Specials”

  1. Dustin said on

    Hello, your Contact link isn’t working for me for some reason. I’m writing a short story of maybe 20,000 words. May be 20 chapters or so. I’m wondering what your edits have to offer. Does the $65 minimum edit include everything you can do to the extreme? My friends and family enjoy what I have written so far, but I would like to beef it up with more depth and detail. Thrown in adverbs, paragraph alteration, etc. Email me back as soon as you can. Thank you. =)

  2. Victoria said on

    Hi Dustin,

    I’ll email you.



Writer's Digest: 2013 Best Writing Websites (2013)

Authors


MILLLICENT G. DILLON, the world's expert on authors Jane and Paul Bowles, has won five O. Henry Awards and been nominated for the PEN/Faulkner. I worked with Dillon on her memoir, The Absolute Elsewhere, in which she describes in luminous prose her private meeting with Albert Einstein to discuss the ethics of the atomic bomb.


BHAICHAND PATEL, retired after an illustrious career with the United Nations, is now a journalist based out of New Dehli and Bombay, an expert on Bollywood, and author of three non-fiction books published by Penguin. I edited Patel’s debut novel, Mothers, Lovers, and Other Strangers, published by PanMacmillan.


LUCIA ORTH is the author of the debut novel, Baby Jesus Pawn Shop, which received critical acclaim from Publisher’s Weekly, NPR, Booklist, Library Journal and Small Press Reviews. I have edited a number of essays and articles for Orth.


SCOTT WARRENDER is a professional musician and Annie Award-nominated lyricist specializing in musical theater. I work with Warrender regularly on his short stories and debut novel, Putaway.


STUART WAKEFIELD is the #1 Kindle Best Selling author of Body of Water, the first novel in his Orcadian Trilogy. Body of Water was 1 of 10 books long-listed for the Polari First Book Prize. I edited his second novel, Memory of Water and look forward to editing the final novel of his Orcadian Trilogy, Spirit of Water.


ANIA VESENNY is a recipient of the Evelyn Sullivan Gilbertson Award for Emerging Artist in Literature and has been nominated for the Pushcart Prize. I edited Vesenny's debut novel, Swearing in Russian at the Northern Lights.


TERISA GREEN is widely considered the foremost American authority on tattooing through her tattoo books published by Simon & Schuster, which have sold over 45,000 copies. Under the name M. TERRY GREEN, she writes her techno-shaman sci-fi/fantasy series. I am working with her to develop a new speculative fiction series.


CHRIS RYAN drew acclaim from the New Yorker for the hook to his novel Heliophobia. He is the author of poetry collection The Bible of Animal Feet from Farfalla Press. I edited Ryan’s debut novel The Ishmael Blade and worked with him to develop Heliophobia and his work-in-progress Pogue.


JUDY LEE DUNN is an award-winning marketing blogger. I am working with her to develop and edit her memoir of reconciling her liberal activism with her emotional difficulty accepting the lesbianism of her beloved daughter, Tonight Show comedienne Kellye Rowland.


In addition, I work with dozens of aspiring writers in their apprenticeship to this literary art and craft.