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  • Due to an unprecedented number of Workshops in the month of September, all October Workshops except On-Going Critical Life Labs have been suspended until I recover. Heavy infusions of chocolate are being applied.

    I just finished a one-hour Dialog Workshop with Victoria. She analyzed our scenes and showed us how the dialog either helped nail or dilute the hook and climax of each. I was able to ask her real-time questions about where to use or cut dialog and dialog tags, and we discussed how to handle pesky transitions from scene to scene. I came away with a tidy, lean piece of dialog and a transcript of her advice that I can refer to when I’m writing new scenes.
    Amy Carey

    ON-GOING EVERY WEEK
    —SUSPENDED
    Due to full monthly Workshops throughout September, the weekly Workshops must be suspended. Sorry!
    Weeklong sessions over email

    Dialog Workshop
    In-depth study of dialog, including purpose, structure, design, punctuation, word choice, and revision. Make friends! Influence enemies! BYOD (up to 250 words). $10

    Action Workshop
    In-depth study of action, including goal, motivation, results, cause-&-effect, and the external illustration of internal conflict, as well as how to find that Characteristic Gesture. The ultimate Show, Don’t Tell! BYOA (up to 250 words). $10

    Description Workshop
    In-depth study of description, including visuals, imagery, metaphor and simile, and Flannery O’Connor’s Three Strokes/Five Senses Rule, as well as how to find that Telling Detail. In a world of your own. BYOD (up to 250 words). $10

    Exposition Workshop
    In-depth study of exposition, including the arts of narrative and backstory, with epiphany, illumination, and internal conflict, as well as how to tell whether or not you’re profound. Ever wonder? BYOE (up to 250 words). $10

    Character Workshop
    In-depth study of character, including exterior, interior, dialog, action, and description, with special emphasis upon motivation and tension. A bundle of body parts and a bolt of lightning—the Frankenstein magic. BYOC (up to 250 words). $10

    Plot Workshop
    In-depth study of plot, including hook-developmental-climax on all levels, from cosmology (master plan) to quantum physics (detail). That’s holography! Be a fishhook in your reader’s jaw. BYOP (up to 250 words). $10

    AUGUST 31 — SEPTEMBER 25
    Four-week sessions over email

    Fictional Elements Workshop — CLOSED
    Character, action, dialog, description, and exposition, focused on forward movement, necessary detail, hints, and revelations—two assignments/week. Walk the walk, talk the talk. $80

    Fictional Structure Workshop — CLOSED
    Hook, development, and climax on all levels, holographically, including overall plot, chapter, scene, and microstructure, based on the all-important principles of tension and epiphany—two assignments/week. Behold the world in a grain of sand. $80

    Fictional Life Workshop — CLOSED
    The writing life and the writer’s personality (with reference to canonical books on writing), special focus on handling rejection, as well as cover letters and magazine submissions, agent query letters and synopses, and realtime experience—two assignments/week. Do you have the gumption to submit to someone who doesn’t already love you? Not for the faint-hearted! $80

    Grim Reaper Cutting & Trimming Workshop — CLOSED
    Don’t fear the Reaper! Cutting and trimming your manuscript, revealing the amazing novel you really wrote. What to cut, what not to cut, and how to tell the difference. One week on cutting exposition and internal dialog, one week on cutting individual phrases and words, one week on analyzing what’s left, and a final week on reorganization and reassembly, including the Donna Mixon Secret Proofreading Trick for Self-Editors—two assignments/week. What happened between your imagination and the page? Get what you imagined! $80

    Critical Life Workshop LaboratoryCLOSED
    The art and science of peer critiques, covering the differences between copy, line, and developmental editing and spanning the permutations of character, action, dialog, description, and exposition as well as holographic hook-development-climax, in a practical, hands-on lab where you learn the Golden Rules of critiquing—two assignments/week. Good, and good for you! $80

    On-going Critical Life ClubsNEW IN OCTOBER
    Revel in a safe, friendly, dynamic miniature critique circle for on-going constructive criticism and support, under the active supervision of a professional editor and veteran critiquer. You choose the size: $10/month to belong to a club of Six of One, Half-Dozen of the Other, $15/month for a Gang of Four, $20/month for a Triad, $30/month for your own personalized Pair. Active supervisor involvement and scheduled IM or Twitter club chats every week. I will not let you give each other bad advice! Improvement guaranteed. (Strong words, I know.) Prerequisite: Critical Life Workshop Laboratory

    SEPTEMBER 7 — OCTOBER 2CLOSED
    Four-week sessions over email

    General Fictionalism Workshop
    One week on plot, studying hook-development-climax, with an emphasis upon tension and forward movement; one week on revealing character in both action and dialog; one week on description and exposition and how (and where) to express epiphany; and a final week on focusing and revision, with special attention to Transcendental Motivation or How to Survive Critiques and Rejection—two assignments/week. The whole shebang, for the option-paralyzed. $80

    Sign up here. Be sure to indicate which Workshop you’re signing up for.

    Pay through PayPal here.

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  1. I’m really interested in your ‘Critical Life Workshop Laboratory’ workshop but am wondering when it is?

    Sharon

  2. Hi Sharon,

    We do the workshops over email. I send out a Welcome the first day with an assignment and then return assignments and send new assignments every Monday and Thursday. You’re welcome to discuss assignments with other participants through reply-all as you work on them.

    The Critical Life Workshop Laboratory runs August 31 through September 25.

    We’ve had fun with the August Workshops!

    Victoria

  3. Whew…and any idea when you plan to do it next, as in after this one?

    Thanks, BTW, for getting back to me so fast.

    Sharon

  4. I’m interested in some of the $10 workshops that don’t have red hyperlinks. How do I sign up for those? It says there are still openings August 31st through September 25th. Or are these workshops full even at the later dates?

    Additionally, my availability is rather uncertain. I am currently unemployed, but I have a job interview tomorrow, and I could have other interviews in the near future. That could come to nothing, or it could mean that my daytime availability will be suddenly eliminated at some date I can’t know. If I sign up for the email workshop, that means that commentary will be disbursed on all sides at various times throughout the period of one week? I would prefer to participate in the hour-long IM workshops, but if I were to start a new job, I wouldn’t be able to do that. If I initially sign up for the IM workshop and then I am unable to attend, can I change to the email workshop later?

    Thanks!

  5. You’re welcome, Sharon!

    I’m planning the Workshops one month at a time, right now. I will know better by September what the demand is for specific Workshops and will update the Workshops page with October Workshops then.

    Hi Beth,

    You can sign up for all Workshops the same way: through the sign up link and link to PayPal at the bottom of the Workshops page. The red hyperlinks just lead to the blog posts in which those Workshops were originally proposed.

    The $10 Workshops run every week, not just August 31st through September 25th. Those dates refer to the $80 month-long Workshops. At this point, none of the month-long September Workshops are full. If you let me know which of the weekly Workshops you’re interested in and what weeks you’d like to take them, I can let you know about availability.

    I would recommend you sign up for email rather than IM for the first weekly Workshop, if those are the ones you’re interested in, because of your schedule situation right now. Although of course it’s up to you.

    The full month-long Workshops all operate over email because they take me longer than an hour a week.

    Good luck with the job interview!

    best,
    Victoria

  6. Thanks! I’ll have to look at my schedule. For being unemployed, I’m remarkably busy. To be honest, I don’t mind being unemployed so much as I mind being unpaid. : – )

    I read on the dialogue link that we will be assigned writing projects? Is it also possible to use material already written?

    I’m glad there are helpful people like you who are willing to assist clueless people like me figure out how all this works.

    Beth

  7. Beth,

    Yeah, I guess if being unemployed didn’t come without a paycheck, there’d be a lot more people enjoying it!

    As far as the Workshops:

    The Dialog Workshop is a weekly workshop. You bring up to 250 words of your own dialog. So yes, you can bring anything, new or previously-written.

    The month-long Workshops have bi-weekly assignments, which are intended to be written that week as practice in learning how to write those particular aspects of fiction.

    The Grim Reaper Workshop is the exception—in that one you work on previously-written material, practicing identifying and cutting different aspects of your own work.

    Only the Critical Life Workshop Laboratory requires no writing at all. I’m setting that one up to be practice critiquing on provided pieces—a real lab. That way you just learn to critique, and no feelings get hurt if you don’t get it right the first time, which keeps the pressure off. I will teach the Golden Rules of accepting critiques and model the correct way to accept them, so you’ll know how it’s done. But that’s something you can practice anywhere with anybody.

    Victoria

  8. Ah, that’s very helpful. I have lots of stuff pre-written that could use feedback. That would be great for the weekly workshops.

    As to employment, well, I feel like it largely interferes with the things I really want to do. Unfortunately, the things I really want to do don’t pay so well. Why couldn’t I have a wild, uncontrollable need for database management? So much more practical.

    Beth




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Preditors & Editors

Clients’ Successes

Scott Warrender
Short story author Scott Warrender is a Mentoring Program client. I have done full Copy, Line, & Developmental Editing on a number of short stories for him, the first of which was his poignant fictional memoir of Africa, ''The Boy With the Newsprint Kite,'' now published in the Foundling Review.

Clients’ Books


Bhaichand Patel is the author of two nonfiction books: Chasing the Good Life (Penguin Books India, October, 2006), and Happy Hours (Penguin Books India, October, 2009). I edited Patel's debut novel, When the Streets Were Cold and Dark.


I've edited a number of nonfiction essays for my friend Lucia Orth. (Many years ago, my contribution to Baby Jesus Pawn Shop was simply a peer critique and participation in a standing ovation.)


The poet Chris Ryan is the author of The Bible of Animal Feet (Farfalla Press, 2007). He has recent stories in Pank, Anemone Sidecar, and A Cappella Zoo. I edited Ryan's novel The Ishmael Blade and worked with him on his debut novel Heliophobia and WIP Pogue.