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  • Last week I talked to a friend I hadn’t seen in awhile who’s writing a memoir. She told me she was having a lot of trouble with it—she can’t make herself write about a particular incident she seriously needs to write about.

    She asked me if I had any advice: does she need a class? a group? a coach?

    Now, I do this kind of work with writers all the time, helping them write what they need to write when they need to write it, so, yeah, I had some advice for her. And I’ll give it to you too, in case you’re ever up against a similar block.

    Groups and classes can help if all you need is a little peer pressure to get yourself in gear, but they can make it worse if you’re really struggling with an emotional block and find yourself embarrassed to be unable to break through, especially in front of others. So before you invest in anything try these two tricks:

    1. Permission

      Give yourself permission to pause and write about this issue whenever it strikes you, even if it’s only a couple of lines between work projects that you can go back to and develop later.

    2. Details

      Whenever you do have a chunk of time in which you’d like to write, focus first on recording some concrete, neutral, unrelated details—what you had for lunch, the view from where you’re sitting, some conversation you had recently—to kind of grease the writing wheels so the words will come out of you more easily.

    Frequently it’s the effort to make two transitions at once (the transition into writing mode plus the transition into a safe emotional space) that can cause this kind of writer’s block, and it helps to take them one at a time.

    Remember: you’re writing what you write not to bind yourself ever-more tightly in your painful emotional paralysis, but to free yourself so you can live this one life you get as fully as humanly possible.

    NEXT WEEK: 3 Tricks for Ratcheting Tension in One Day

    THE WEEK AFTER: 4 Tricks for Improving Your Fiction in One Day

    FINALLY: 1 Secret Trick to Becoming a Genius Writer in One Day

    Note: I’m offline for the rest of August. That’s right—three whole weeks incognito. I’m working on my second book on writing, The Art & Craft of Story: 2nd Practitioner’s Manual, to be released September 30.

    4 Comments

4 Responses to “2 Tricks for Breaking Writer’s Block in One Day”

  1. Thanks for the tips to break through the writer’s block on those difficult scenes. Though I have not faced a block when writing those tough scenes, I do feel emotionally wrung out afterwards. It helps for me to take a walk around the neighborhood and listen to some uplifting music.

    Have fun being offline!
    M.E. Anders recently posted..Mid-Life Crisis Blogger: Marcia RichardsMy ComLuv Profile

    Victoria Reply:

    Yes, our emotional investment in powerful scenes can be both liberating and debilitating.

    Just like so much of our writing lives!

  2. [...] learning to write well starts the instant you learn it. What a fabulous craft! Last week we learned 2 Tricks for Breaking Writer’s Block in One Day. Now for the rest of the month we’ll be talking about other tricks that also work in one [...]

  3. [...] a bad thing to be, at all. . .but it’s not the same thing. We’ve talked about 2 Tricks for Breaking Writer’s Block in One Day. And 3 Tricks for Ratcheting Tension in One Day. And 4 Tricks for Improving Your Fiction in One [...]




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Preditors & Editors

Clients’ Successes

Scott Warrender
Short story author Scott Warrender is a Mentoring Program client. I have done full Copy, Line, & Developmental Editing on a number of short stories for him, the first of which was his poignant fictional memoir of Africa, ''The Boy With the Newsprint Kite,'' now published in the Foundling Review.

Clients’ Books


Bhaichand Patel is the author of two nonfiction books: Chasing the Good Life (Penguin Books India, October, 2006), and Happy Hours (Penguin Books India, October, 2009). I edited Patel's debut novel, When the Streets Were Cold and Dark.


I've edited a number of nonfiction essays for my friend Lucia Orth. (Many years ago, my contribution to Baby Jesus Pawn Shop was simply a peer critique and participation in a standing ovation.)


The poet Chris Ryan is the author of The Bible of Animal Feet (Farfalla Press, 2007). He has recent stories in Pank, Anemone Sidecar, and A Cappella Zoo. I edited Ryan's novel The Ishmael Blade and worked with him on his debut novel Heliophobia and WIP Pogue.