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MILLLICENT G. DILLON, represented by Harold Ober Associates, is the world’s expert on authors Jane and Paul Bowles. She has won five O. Henry Awards and been nominated for the PEN/Faulkner. I worked with Dillon on her memoir, The Absolute Elsewhere, in which she describes in luminous prose her private meeting with Albert Einstein to discuss the ethics of the atomic bomb. Read more. . .

SASHA TROYAN is a Professor of English at Montclair University and author of the critically-acclaimed novels Angels in the Morning and The Forgotten Island, both Booksense Selections, beautiful stories based upon her childhood in France. I worked with Troyan to develop her new novels, Marriage A Trois and Semester. Read more. . .

LUCIA ORTH is the author of the debut novel, Baby Jesus Pawn Shop, which received critical acclaim from Publisher’s Weekly, NPR, Booklist, Library Journal and Small Press Reviews. I have edited a number of essays and articles for Orth. Read more. . .

BHAICHAND PATEL, retired after an illustrious career with the United Nations, is now a journalist based out of New Dehli and Bombay, an expert on Bollywood, and author of three non-fiction books published by Penguin. I edited Patel’s best-selling debut novel, Mothers, Lovers, and Other Strangers, published by Pan Macmillan. Read more. . .

SCOTT WILBANKS, represented by Barbara Poelle of the Irene Goodman Literary Agency, is the author of the debut novel, The Lemoncholy Life of Annie Aster, published by Sourcebooks in August, 2015. I’m working with Wilbanks on his sophomore novel, Easy Pickens, the story of the world’s only medically-diagnosed case of chronic naiveté. Read more. . .

SCOTT WARRENDER is a professional musician and Annie Award-nominated lyricist specializing in musical theater. I work with Warrender regularly on his short stories and debut novel, Putaway. Read more. . .

M. TERRY GREEN enjoys a successful self-publishing career with multiple sci-fi/fantasy series set in the Multiverse, based upon her expertise in anthropology and technology. I worked with Green to develop a new speculative fiction series. Read more. . .

DARREN D. BEYER is an ex-NASA experiment engineer who has worked on every Space Shuttle orbiter but Challenger. In his sci-fi Anghazi Series, Beyer uses his scientific expertise to create a galaxy in which “space bridges” allow interstellar travel based upon the latest in real theoretical physics. Read more. . .

ANIA VESENNY, represented by Beverly Slopen Literary Agency, is a recipient of the Evelyn Sullivan Gilbertson Award for Emerging Artist in Literature and has been nominated for the Pushcart Prize. I edited Vesenny’s debut novel, Swearing in Russian at the Northern Lights, and her second novel, Sandara. Read more. . .

STUART WAKEFIELD is the #1 Kindle Best Selling author of Body of Water, the first novel in his Orcadian Trilogy. Body of Water was 1 of 10 books long-listed for the Polari First Book Prize. I edited Wakefield’s second novel, Memory of Water, and look forward to editing the final novel of his Orcadian Trilogy, Spirit of Water. Read more. . .

GERALDINE EVANS is a best-selling British author. Her historical novel, Reluctant Queen, is a Category No 1 Best Seller on Amazon UK. I edited Death Dues, #11 in Evans’ fifteen popular Rafferty and Llewellyn cozy police procedurals, which received a glowing review from the Midwest Book Review. Read more. . .

JUDY LEE DUNN is an award-winning marketing blogger. I am working with Dunn to develop and line edit her memoir of reconciling liberal activism with her emotional difficulty accepting the lesbianism of her beloved daughter, Tonight Show comedienne Kellye Rowland. Read more. . .

LISA MERCADO-FERNANDEZ writes literary novels of love, loss, and friendship set in the small coastal towns of New England. I edited Mercado-Fernandez’ debut novel The Shoebox and second novel The Eighth Summer. Read more. . .

JEFF RUSSELL is the author of the debut novel, The Rules of Love and Law, based upon Jeff’s abiding passions for legal history and justice. Read more. . .

LEN JOY is the author of the debut novel, American Past Time. I worked with Len to develop his novel from its core: a short story about the self-destructive ambitions of a Minor League baseball star. Read more. . .

ALEX KENDZIORSKI is an American physician working in South Africa on community health education and wildlife conservation. I edited Kendziorski’s debut novel Wait a Season for Their Names about the endangered African painted wolf, for which he is donating the profits to wildlife conservation. Read more. . .

ALEXANDRA GODFREY blogs for the New England Journal of Medicine. I work with Godfrey on her short fiction and narrative nonfiction, including a profile of the doctor who helped save her son’s life, “Mending Broken Hearts.” Read more. . .

In addition, I work with scores of aspiring writers in their apprenticeship to this wonderful literary art and craft.

  • By Victoria Mixon

    In honor of having given up sleep last week (apparently after fifty years you’ve had all the sleep you need), I’m going to introduce you today to my grandmother, to whom I was very close and who gave me most of the instructions that now guide my life. She didn’t actually say any of these in reference to writing, but even Grandma can use an editor.

    1. If you can’t say something interesting, don’t say anything at all.

      This, of course, is not what she really said, but it is the cardinal rule of fiction.

    2. Sit down quietly and share with your sister.

      This one she said all the time.

      Because it’s not about me. It’s not even about you. It’s about sharing this amazing, complicated, poignant world with the reader, and if we can’t share nicely they’re not going to follow us around begging.

    3. If you don’t learn to make your bed, no one will marry you.

      This one she also said, and I’m not going to use up space here recording my many witty adolescent replies. Suffice it to say that she was mistaken, and nobody in my house now is any good with hospital corners.

      However, she was correct that if we don’t learn how to shape and tidy our manuscripts no one will ever read them. They’re incredibly lumpy, uneven, and full of missing socks in their early drafts. Readers find them extremely uncomfortable and cannot relax.

      This is a bad thing.

    4. Don’t be a smart-aleck.

      This is also a bad thing.

      We’re all very clever and amusing people, I know, in the privacy of our own heads and usually a number of hours after it doesn’t matter anymore. I infused my own early novels with a whole plethora of snarky asides and snappy comebacks.

      Turns out Grandma was right on the money with this one too, though.

      Readers don’t want untutored attempts at snark. They want either real, one-of-a-kind, death-defying humor that makes them spontaneously laugh out loud or no smartypants nonsense at all.

    5. Stop kicking the table leg.

      No kidding, people. I know we all get intensely frustrated at the state of the publishing industry these days. It is indeed an intensely frustrating state, in which unknown writers become less and less likely to see publication every single time someone buys a best seller at Walmart.

      But the truth is we were already complaining about the state of the industry decades ago, when it seems in retrospect that we actually had it fairly good.

      We need to just stop annoying people and buckle down to the hard work.

    6. Wipe your feet before you walk on clean floors.

      Leo Buscaglia tells the story of meeting a famous Buddhist lama and walking in the garden with this gentle little man, yammering on and on and on about himself and his big, brilliant ideas and how important they all were, until the gentle little man turned suddenly and slapped him right in the face.

      “Stop walking in my head with your dirty feet!” the lama exclaimed.

      This is excellent advice for all of us—but especially for writers.

    7. Keep your sticky fingers off the wallpaper.

      Again, the reader has their own big, brilliant ideas, which they love far more than they are ever going to love ours. It is our job to show them their own lovely wallpaper, not muck it up getting our fingerprints all over it.

    8. Don’t make me tell Grandpa.

      You know who Grandpa is? That’s right. The reader. And Grandpa always gets the last word.

    9. Machst gut.

      Actually, it was my great-grandmother who said this, the German granddaughter of pioneers, a woman who lived to be 93 and, at the end of her life, began seeing the ghost of her husband in her room at night.

      Make it good.

      If you’re going to be haunted, you know, it had better be worth your while.

    10. You can cry on me.

      Grandma also said this, for which I will always love her.

      There’s a lot of grief in first struggling for years to get our beautiful dreams down in words and then finding someone who wants to read them. I don’t care how brilliant or talented or experienced we are, our kindness to each other is truly the most important thing we have to give.

    11. Come back and see us again soon, honey.

      Because when you get right down to it, it’s all about dedication and long-term commitment—commitment and good-heartedness and being in this world with others. We’re able to share our wonderful fictional adventures with the reader only if they add significantly to the reader’s life.

      And if we can’t develop the habit of producing great stories—not just one, but one after another, for as long as we expect others to pay attention—we must content ourselves with being readers.

      After all, everyone loves them.



    “The freshest and most relevant
    advice you’ll find.”

    —Helen Gallagher, Seattle Post-Intelligencer

    The Art & Craft of Writing Fiction

    The Art & Craft of Writing Stories




6 Responses to “11 Things My Grandmother Said About Writing”

  1. Great advice – love it.

  2. I love this post! Interesting and insightful. Your grandmother sounded alot like my dad! Love it! Rules to live by.

  3. “Sit down quietly and share with your sister.” — I think that one’s my favorite. So many writers, myself included, write to entertain ourselves. That’s a given, and certainly my books would be dull as the silver I inherited from my grandmother and have never polished if I didn’t write books that I want to write and that entertain me. But sharing a story with readers is so much more than that. It’s a relationship, and the bottom line is to keep us both happy, and the story stronger because of it.

  4. This is great…my mother used to call me a smart-aleck! Wonderful advice, delightfully presented!

  5. Jeffrey Russell said on

    Das ist gut, Fräu Mixon.

  6. […] Red Gage offers three ways to write better today; Sweepy Jean lists three writing lessons she learned as a young writer; and Victoria Mixon passes on 11 things her grandmother said about writing. […]