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Authors


MILLLICENT G. DILLON, represented by Harold Ober Associates, is the world’s expert on authors Jane and Paul Bowles. She has won five O. Henry Awards and been nominated for the PEN/Faulkner. I worked with Dillon on her memoir, The Absolute Elsewhere, in which she describes in luminous prose her private meeting with Albert Einstein to discuss the ethics of the atomic bomb. Read more. . .


SASHA TROYAN is a Professor of English at Montclair University and author of the critically-acclaimed novels Angels in the Morning and The Forgotten Island, both Booksense Selections, beautiful stories based upon her childhood in France. I worked with Troyan to develop her new novels, Marriage A Trois and Semester. Read more. . .


LUCIA ORTH is the author of the debut novel, Baby Jesus Pawn Shop, which received critical acclaim from Publisher’s Weekly, NPR, Booklist, Library Journal and Small Press Reviews. I have edited a number of essays and articles for Orth. Read more. . .


BHAICHAND PATEL, retired after an illustrious career with the United Nations, is now a journalist based out of New Dehli and Bombay, an expert on Bollywood, and author of three non-fiction books published by Penguin. I edited Patel’s best-selling debut novel, Mothers, Lovers, and Other Strangers, published by Pan Macmillan. Read more. . .


SCOTT WILBANKS, represented by Barbara Poelle of the Irene Goodman Literary Agency, is the author of the debut novel, The Lemoncholy Life of Annie Aster, published by Sourcebooks in August, 2015. I’m working with Wilbanks on his sophomore novel, Easy Pickens, the story of the world’s only medically-diagnosed case of chronic naiveté. Read more. . .


SCOTT WARRENDER is a professional musician and Annie Award-nominated lyricist specializing in musical theater. I work with Warrender regularly on his short stories and debut novel, Putaway. Read more. . .


M. TERRY GREEN enjoys a successful self-publishing career with multiple sci-fi/fantasy series set in the Multiverse, based upon her expertise in anthropology and technology. I worked with Green to develop a new speculative fiction series. Read more. . .


DARREN D. BEYER is an ex-NASA experiment engineer who has worked on every Space Shuttle orbiter but Challenger. In his sci-fi Anghazi Series, Beyer uses his scientific expertise to create a galaxy in which “space bridges” allow interstellar travel based upon the latest in real theoretical physics. Read more. . .


ANIA VESENNY, represented by Beverly Slopen Literary Agency, is a recipient of the Evelyn Sullivan Gilbertson Award for Emerging Artist in Literature and has been nominated for the Pushcart Prize. I edited Vesenny’s debut novel, Swearing in Russian at the Northern Lights, and her second novel, Sandara. Read more. . .


STUART WAKEFIELD is the #1 Kindle Best Selling author of Body of Water, the first novel in his Orcadian Trilogy. Body of Water was 1 of 10 books long-listed for the Polari First Book Prize. I edited Wakefield’s second novel, Memory of Water, and look forward to editing the final novel of his Orcadian Trilogy, Spirit of Water. Read more. . .


GERALDINE EVANS is a best-selling British author. Her historical novel, Reluctant Queen, is a Category No 1 Best Seller on Amazon UK. I edited Death Dues, #11 in Evans’ fifteen popular Rafferty and Llewellyn cozy police procedurals, which received a glowing review from the Midwest Book Review. Read more. . .


JUDY LEE DUNN is an award-winning marketing blogger. I am working with Dunn to develop and line edit her memoir of reconciling liberal activism with her emotional difficulty accepting the lesbianism of her beloved daughter, Tonight Show comedienne Kellye Rowland. Read more. . .


LISA MERCADO-FERNANDEZ writes literary novels of love, loss, and friendship set in the small coastal towns of New England. I edited Mercado-Fernandez’ debut novel The Shoebox and second novel The Eighth Summer. Read more. . .


JEFF RUSSELL is the author of the debut novel, The Rules of Love and Law, based upon Jeff’s abiding passions for legal history and justice. Read more. . .


LEN JOY is the author of the debut novel, American Past Time. I worked with Len to develop his novel from its core: a short story about the self-destructive ambitions of a Minor League baseball star. Read more. . .


ALEX KENDZIORSKI is an American physician working in South Africa on community health education and wildlife conservation. I edited Kendziorski’s debut novel Wait a Season for Their Names about the endangered African painted wolf, for which he is donating the profits to wildlife conservation. Read more. . .


ALEXANDRA GODFREY blogs for the New England Journal of Medicine. I work with Godfrey on her short fiction and narrative nonfiction, including a profile of the doctor who helped save her son’s life, “Mending Broken Hearts.” Read more. . .


In addition, I work with scores of aspiring writers in their apprenticeship to this wonderful literary art and craft.

  • By Victoria Mixon

    Now, as far as genius, you think I’m going to say, “Shut up and write,” don’t you? But unfortunately that won’t make you a genius. It won’t even make you a writer. That will only make you a scribbler, which isn’t a bad thing to be, at all. . .but it’s not the same thing. We’ve talked about 2 Tricks to Breaking Writer’s Block in One Day. And 3 Tricks to Increasing Tension in One Day. And 4 Tricks for Improving Your Fiction in One Day.

    So now I’ll reveal the real secret to becoming a genius, particularly a genius writer. Pay close attention.

    1. Realize what exactly genius is

      What do you mean by, “becoming a genius”?

      Do you mean, “having extraordinary intelligence granted to me without me lifting a pinky”?

      Do you mean, “being recognized by the smartest people on earth”?

      Do you mean, “relishing every spec of living I possibly can in the few fleeting years granted to me on this planet—years I see flashing past me more and more quickly the older I get—because, baby, we’re none of us getting any younger”?

      • Extraordinary intelligence. . .

        . . .doesn’t come to anyone without them lifting a pinky.

        Extraordinary intelligence is developed by the constant creative use of the the brain. How much of your time do you spend using your brain creatively—developing your skills with logic and critical analysis of the things that truly matter to you, using all five senses to perceive your moment-by-moment experience of life to the fullest capacity, asking not just, “What do I think or believe or feel?” but, “What do I think and believe and feel that I would never have guessed about myself?”

        Do you have the courage to face your disowned self? Honestly, truly face it?

        Eight hours of that will ratchet your genius for human understanding—the core of all storytelling—through the ceiling.

      • Being recognized by the smartest people on earth. . .

        . . .involves being seen by them.

        And on an increasingly crowded planet, that means not getting the attention of those recognized in the media—how smart could Charlie Sheen be anyway?—but finding the unrecognized geniuses who walk among us every day and devoting yourself to learning what they know. Apprenticing yourself to them. Earning their recognition.

        Would Einstein have been as smart if nobody had ever heard of him? Yes. Was Franz Kafka a great literary and philosophical genius even though he died before anyone ever found out? Yes.

        Who can you identify in your life right now who’s one of the smartest people on earth?

        Eight hours of listening at their knee will teach you the secret uniqueness—the core of all memorable storytelling—of their genius.

      • Relishing every spec of living you possibly can. . .

        . . .in the fleeting years granted you starts right now.

        Let me tell you a story, okay?

        My husband and I spent this weekend working on our house, even though we burned ourselves out on it so badly when we built it four years ago that we’re still content to live with subfloor on the stairs and big, gaping holes for lag bolts in the hall floor and cracks you can see light through where there’s supposed to be trim.

        We really hate working on the house.

        So late yesterday we were in the attic, me on the stairs exhausted from moving stacks of flooring, him on his knees cutting a piece of wood. He glanced up and said, “Are you okay?” and I said, “I’m just thinking. It looks like I’m in pain when I do that, I know.”

        And we started laughing.

        In that instant I knew what we’ll remember when we’re old and sick and frail and, maybe, there’s only one of us left alone in this world. (I spent a lot of time with my grandfather after my grandmother died. I know what it’s going to be like.) We’re not going to care that we were working on the house even though we hate working on the house, or that we were exhausted and bruised and filthy, thinking about bills and work and mortgages and the difficulties of raising a teen.

        We’re going to long with every fiber of our being to be back in that over-heated attic together at the end of that long, hard Sunday. . .laughing.

        And knowing that—knowing you’re already living the life you long for with all your heart—you better believe. . .that’s genius.

    How close are you to being a genius right now?

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    “The freshest and most relevant
    advice you’ll find.”

    —Helen Gallagher, Seattle Post-Intelligencer

    The Art & Craft of Writing Fiction

    The Art & Craft of Writing Stories


    A. VICTORIA MIXON, FREELANCE INDEPENDENT EDITOR

    VICTORIA’S ADVICE COLUMN

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