Premise Development: from Idea to Story

A few years ago, I had some extra time one month so I started a weekly Twitter conversation that I called—for no particular reason—#editingchat. It was just a bunch of us who got together every week to talk about certain issues I see a lot in my editing work.

And it evolved almost instantly into an ad-hoc demonstration on how to develop a story from an idea.

This, it turned out, was what people really wanted to know: how do you move from a great idea to a great story?

It was so exciting that the conversation went like fire, week by week, through each idea along the basic elements of story design: character needs, tension in conflict, to The Whole Point, i.e. the Climax. Plus some talk about the current publishing industry, genre vs. literary fiction, self-publishing vs. traditional publishing, and the question, “How much does quality mean to us?”

I’d have kept it up, but I after awhile I was exhausted.

So today I’m sending you all into the Archives to learn how we did it:

REMEMBER: on Twitter conversations, you read from the bottom up.

Otherwise, you’ll learn how to do it all backward.





“The freshest and
most relevant advice
you’ll find.”

—Helen Gallagher,
Seattle P-I

The Art & Craft of Fiction
The Art & Craft of Story


A. VICTORIA MIXON, EDITOR


VICTORIA’S ADVICE COLUMN